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The I Nuovi Centurioni Full Movie In Italian Free Download

The I Nuovi Centurioni Full Movie In Italian Free Download ->>->>->> DOWNLOAD

Original Title: The New Centurions

Genge: Action,Crime,Drama,Thriller

A group of new police recruits takes to patrolling the streets of Los Angeles. Roy Fehler is a law student with a family and has joined the LAPD until he can complete his degree. He's partnered with veteran patrolman Kilvinski and they soon develop a good rapport. On the street the policemen are exposed to the seedier side of life but Kilvinski is a fair cop and a good teacher. Over time however, Fehler comes to love the work and both his family and his studies fall by the wayside. Kilvinsky retires and Fehler loses his way, drinking heavily. Fehler's wife leaves him and he soon hits bottom. Just as he begins to get his life in order, fate intervenes.
An idealistic rookie cop joins the L.A.P.D. to make ends meet while finishing law school, and is indoctrinated by a seasoned veteran. As time goes on, he loses his ambitions and family as police work becomes his entire life.
***SPOILERS*** From the pages of Joseph Wambaugh first and best selling novel about the men of the LAPD the movie shows how a job like a policeman can change a person into a mentally unstable individual if he lets it take over his life. There's' patrolman Andy Kilvinski, George C. Scott, a 25 year veteran of the LAPD facing retirement and breaking in young rookie cop Roy Fehler played by Stacey Keach with and without, at times during the film, a mustache. Kilvinski shows young Roy in how to do the job based on "Kivinski's Law" which worked so well for him over the years. At first only looking to be a cop until he finishes law school and become a full fledged shyster/lawyer Roy soon becomes married to his job and forgets law school as well as his wife Dorothy, Jane Alexander, who the job of being a policeman replaced.

While at a stake-out that Roy get shot by peace loving two hippies, whom he caught making out in the backseat of a car, that hospitalized him from six months with a near fatal stomach wound. Back at work and with a new attitude Roy seemed to have lost his ability to do his job without his partner the wise old Andy Kilvinski guiding him in his work. By now the job as a policeman has taken over Roy's life so completely that his wife, taking their daughter along with her, left him leading Roy to drink which didn't make things that much better for him.

***SPOILERS*** It's after Roy's partner Andy Kilvinski, who by then retired from the LAPD with 25 years service, came to visit his old precinct-the 25th- that Roy having better things to do like drinking and having an affair with a nurse-Rosalind Cash-who treated him for his injuries more or less fluffed him off. That feeling of rejection ended up turning Kilvinski, left alone and deserted by the men he worked with, to put a gun to his mouth and blow his brains out! Roy now on a guilt trip in feeling responsible for Kilvinski's suicide in a strange way gets his wish by getting killed on the job, by a local psycho, so he won't have to end up dying alone, by his own hand, with no one giving a cr*p if he was alive or dead like his friend and partner Andy Kilvinski. Realistic movie about police that was overlooked by the public and critics back then but has now become somewhat of a minor film noir classic. Joseph Wambaugh has written a lot of great books over the four decades of his literary career. My experience with him started in eighth grade in 1972 when I read The New Centurions, a blisteringly honest and terrifying book about the lives of three rookie patrolman in LA during the early 60s. It was easily the most grown-up book I had ever read (my mom thumbed through it and was appalled at the language; yet she let me finish it) and when I got to see the 1972 movie (butchered on NBC in '73 or '74), I had reread it and knew everything the little old ladies with the scissors had hacked out. Even with the obligatory mangling for our living room sensibilities, Richard Fleischer's film is a well-acted and gritty TV-looking version of Wambaugh's great, searing novel.

For the most part, the casting--THE critical step to putting the book on screen--was dead on. Stacy Keach nails Roy Fehler, George C. Scott is a slightly more buff, less urbane Andy Kilvinsky, and Jane Alexander (who is beautiful because she isn't) embodies Fehler's estranged wife, Dorothy). My only complaint is in casting Erik Estrada as Sergio. I know why he was picked--a blonde Hispanic would have confused viewers who had not read the book, but some skilled writing may have gotten the real Sergio across on screen. This is no insult to Estrada. He's hardly on screen, but this was before the excremental CHIPS, the show that ruined his career while making him a household name, and he is quite good for the few minutes we get him.

The problem with The New Centurions is that, since it is designed for mass consumption, it has been rendered more TV cop drama than searing expose of urban policing. It looks authentic, but the color and depth of the images never really fill the wide screen, dooming it to look like it belongs on the small one.

In comparison though, this is a much more successful adaptation of a Wambaugh work than the open-mouthed horror of Robert Aldrich's The Choirboys. That book was even more dark (how Wambaugh was able to make such a brutal novel so funny is still an amazement to me), but the 1977 movie was about as awful--and unfunny--as you could ever hope to miss.

Which, in comparison, makes The New Centurions all the better. Don't get me wrong, TNC is a flawed film, but it is a good one on the whole. I would just, strongly, suggest you read the book--and The Choirboys--first to get the real flavor of one of America's better crime writers (and social critics).

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