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Yakuza Apocalypse Sub Download

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Original Title: Yakuza Apocalypse

Genge: Action,Comedy,Horror

In the ruthless underground world of the yakuza, no one is more legendary than boss Kamiura. Rumored to be invincible, the truth is he is a vampire-a bloodsucking yakuza vampire boss! Among Kamiura's gang is Kageyama, his most loyal underling. However, the others in the gang view Kageyama with disdain and ridicule him for his inability to get tattooed due to sensitive skin. One day, assassins aware of boss Kamiura's secret arrive from abroad and deliver him an ultimatum: Return to the international syndicate he left years ago, or die. Kamiura refuses and, during a fierce battle with anime-otaku martial-arts expert Kyoken, is torn limb from limb. With his dying breath, Kamiura bites Kageyama, passing on his vampire powers to the unsuspecting yakuza. As he begins to awaken to his newfound abilities, Kageyama's desire to avenge the murder of boss Kamiura sets him on a course for a violent confrontation with Kaeru-kun, the foreign syndicate's mysterious and seemingly unstoppable leader!
This movie is from Takashi Miike so its on the weird side. That said, if you like slow paced Japan style logic and if you like action; this movie delivers in the most pure form. Combining the crazy and absurd.

" Like Sukiyaki Western, but not a western and way better! "

Story 9/10 Action:8/10 Romance: 7/10 (there is) Acting:10/10 Cinematography:10/10

The story line is insane but also good if you think about it. If you think there are gaps, you need to let go and just take it and move on. There are mysteries in life too and these gaps were put there purposefully. Thats the difference.

Fights are well fought, and the final fight is the essence of fighting: brutal. Its a stupid fight but isn't all fighting meant to be stupid. You can argue, but fights don't decide whose right, just whose left.

Visual aspect is whats most surprising. I watched Full HD. Selected scenes are portrayed in such a cheap way, its almost nostalgic. Reminded me of watching stuff like Power Rangers or Teletubbies. And still it was good. The joy of Yakuza Apocalypse is that it's Takashi Miike doing that Takashi Miike does, what he has done, since the 90's and yet it's a filmmaker even more confident in his skills and more assured in the timing of his shots and cuts. Thinking back to another gonzo-Yakuza movie like Dead or Alive or even Ichi the Killer, he reveled in more of a sloppy, throw-lots-of-WILD-things-at-the-wall approach to his compositions and how he would cut, but now he's gone through films like 13 Assassins and Hara-Kiri, where he found a way to balance action and a more (what's the damn word here) patient way to get the audience into the drama. And yes, drama may sound strange in a movie that could also be called YAKUZA VAMPIRE SHOWDOWN and be entirely accurate. But it is a joy as a fan to see Miike in full command of his powers as the truest Gonzo filmmaker in the world. Does it mean he's the best? I dunno.

All I do know is that in Yakuza Apocalypse, if you're on board for the kind of insanity as far as action set pieces, characters, and plot turns that Miike has done in his career - the kind of 'don't give a f***ery' that has made him a household name for cult film enthusiasts - you get things like... a man in a green frog suit who can do martial arts to such a point where Bruce Lee runs for the hills, a duck-billed... man, no, really, he has duck bills in his mouth (and refers to this green-frog-suited man as "the world's most dangerous terrorist"), and, of course Yakuza vampires. How our hero, a young Yakuza who just has always wanted to do right by his boss - and that his boss gets his ass kicked and head chopped off by a rival looking to take over (you can tell since he speaks English and has like a Shakespeare-style neck collar, and his own bad-ass kung-fu fighter that can kick anyone into oblivion), gets turned and then makes others vampires.... well, you have to see it for yourself.

I think the biggest knock I had against this, at least during the first half, was that it is too long. At 115 minutes I'm sure where are scenes here or there that could have been cut, things involving some of the lower-rung Yakuza gangster men (the ones who, you know, are especially idiots but loyal and tough Yakuza guys, they more or less last until the climax too), and made it a little tighter. At the same time, I'm not sure looking back I'd want Miike to close and bottle up his full Miike-ness from the audience. By the time he and his writers go into action over-drive, which involves the entirety of this whole small... town, village, whatever you call it (there are also Western influences that are impossible to miss involving showdowns in the street and shots aping such things), it becomes one of the director's high points of a long career.

He and especially all of the insane stunt performers, who are fighting in such intense set pieces and choreography that I almost felt bad for them, but just almost (that poor guy in the frog suit, what he must've gone through) give it their all, up until the final frames where I threw up my hands going, "SURE?! WHY NOT!!??!" Yakuza Apocalypse is Miike at the top of his game, breaking cinematic rules at every chance while crafting seriously subversive cinema that defangs both the real-world Yakuza, the Japanese government, and, heaven help us, Sanrio, too. Knitting, I tell you! Knitting!

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