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Original Title: Pickup Alley

Genge: Action,Crime,Drama,Thriller

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

U.S. narcotics agent Charles Sturgis trails international dope smuggler Frank McNally by following his reluctant accomplice, Gina Broger, through the "pickup alleys" of New York, London, Lisbon, Rome, Naples and Athens. When Gina is finally arrested by Interpol, she helps Sturgis trace McNally and his $3,000,000 consignment back to New York.
International narcotics smuggler Frank McNally is trailed through various European countries by U.S. drug enforcement agent Charles Sturgis.
Seems to me the title of the picture should have been saved for a noir tale, what with the inference of a sleazy femme fatale. One could make the case if hard pressed enough, since Anita Ekberg got pushed around considerably, but with the quickly changing venues from New York to a handful of European cities, the pace was just a bit too hasty for a noir treatment. I really dug the opening New York City street scene filled with era marquees and storefronts, that was pretty cool.

Victor Mature puts in an earnest performance as the hard bitten Narcotics Bureau detective on the trail of an international drug kingpin. Fueled by the murder of his sister by the notorious Frank McNally (Trevor Howard), Charles Sturgis (Mature) makes it his personal mission to bring the gangster to justice, even if he has to hop half way around the world to do it.

You know, if you never get a chance to see the Roman catacombs, pretty much all you have to do is tune in to this flick. The tour guide gives you a pretty good rundown on everything you need to know before you ever get there.

The main thing that impressed me here was that wild rooftop chase right after McNally did in his partner Salko (Alec Mango). When McNally lit out on that slanted runway he slid more than half way down before getting back his footing. I had to wonder if it was planned that way or the stunt guy really slipped and played it out to a conclusion. The same with the cops who high tailed it right after him. That was some nifty stunt work.

Well after rolling out the barrels for McNally, Sturgis gets his man, but I couldn't help feeling that the finale was somewhat anticlimactic. I thought McNally was a lot smarter than getting ID'd by a narc detective, and he probably should have just dropped the getaway effort until it was a safer bet. When all was said and done, the pickup alley of the title never came into play, the bad guy got nailed right out in the open. Victor Mature stars in Pickup Alley as a drug enforcement officer who has his professional and personal life combined in this film. His sister Dorothy Alison is strangled by Trevor Howard who is a big drug syndicate kingpin that everyone knows about, but who has successfully kept a very low profile. All kinds of police agencies are looking for Howard and now Mature has a personal reason to get him.

Thinking she killed Howard's partner his moll Anita Ekberg is also on the run. She might be the one to lead Mature to Howard so he tails her across several international cities back to New York where the climax takes place.

This idea had already been tried and far more successfully in the Dick Powell noir classic To The Ends Of The Earth where Powell was the drug enforcement agent with no personal axe to grind who follows a drug shipment. We get to see several glimpses of major cities in Europe and of course New York. Nothing that really registers a decent impression.

Pickup Alley was an OK second feature, but will never be a classic. Fans of Mature, Ekberg, and Howard will be satisfied. Best in the film in a small role is Bonar Colleano, exiled American gangster who lives by his wits both as souvenir salesman in Rome and peddler of information to those with a price.
The Columbia film, Pickup Alley, opened in Chicago on Wednesday, July 31, 1957, at the Roosevelt theatre (State nr Washington); an ad reads: "Intrigue! Adventure! In the World's most Dangerous Pickup Alleys . . . she looks like an angel . . . does the work of the devil! . . . Victor Mature, Anita Ekberg, Trevor Howard, A Warwick Production, A Columbia Picture, Cinemascope." The film was actually the top-half of a double-bill; the bottom-half featured the Columbia film, The Burglar.
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