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Original Title: 13 Assassins

Genge: Action,Adventure,Drama

A group of assassins come together for a suicide mission to kill an evil lord.
In 1844, the peace of Feudal Japan is threatened by cruel Lord Naritsugu Matsudaira, who is politically rising and getting closer to his half-brother, the shogun. After the harakiri of the Namiya clan leader, samurai Shinzaemon Shimada is summoned by the shogun's advisor Sir Doi of the Akashi Clan to listen to the tragedy of Makino Uneme, whose son and daughter-in-law have been murdered by Naritsugu. Then Sir Doi shows a woman with arms, legs and tongue severed by Naritsugu and she writes with her forearm a request to Shinza to slaughter Naritsugu and his samurai. Shinza promises to kill Naritsugu and he gathers eleven other samurais and plots a plan to attack Naritsugu in his trip back to the Akashi land. But the cunning samurai Hanbei Kitou that is responsible for the security of his master foresees Shinza's intent. Shinza decides to go with his samurai through the mountain, where they find the hunter Koyata that guides them off the mountain and joins the group. Now the thirteen men prepare an ambush to Naritsugu and his army of two hundred samurai in a suicide mission to stop evil.
This was a great true story of how a maniacal lord was to take power. In the thresholds of the house of the Shogun, a man with a lust for the macabre was becoming something of a tyrant, where by cutting off limbs or torturing the more less fortunate people for his pleasures. During this romp of chaos, a middle man Sir Doi (Mikijiro Hira) gives a secret order to stop this crazed individual by use of a group of assassins, thirteen in all. Heading this group is Samurai Shinzaemon Shimada (Koji Yakusho) who orders his men to stop this crazed individual by any cost, which includes their lives.

But to do so would mean to buy up an entire town and set it up so it becomes a literal death trap. But the lord Naritsugu Matsudaira (Goro Inagaki) has his own methods of outsmarting his foe. By fortifying the odds, and recruiting more men which toppled two hundred. Now with the town fortified with booby traps, and Shinzaemon's men ready, they go into battle in quite possibly the most blood drenched sword fighting scenes (Over 20 minutes) I have ever witnessed in a movie.

This is how the wars between the common man, and the samurai had been held. With no mercy or any kind of remorse to their actions. What makes it such an interesting film also, is that hardly no music is played to add to the scenes of fighting. This adds a more real, and more deadly ambiance. Though music does add some impact to the genre, I found it to be most satisfying without music.

You can hear the grunts, the screams, the metal to metal clashes of swords which make you cringe. In the most recent years, this is the movie for fans of this kind of genre. To see how it was back in the days of wars, noble houses, and the Edo period for which it is still as potent today as it has been for the last two hundred years. I give this film a high recommendation for those who love to watch the code of the samurai at its best. Imagine, thirteen men against two hundred, and defeating them all. Not a film for those under seventeen. 13 Assassins is not a bad film at all. However, it is not a great film. Essentially we are in the territory of Kurosawa, so comparison with that great master is in order. The references are abundantly clear, particularly to The 7 Samurai.

The director is self-consciously quoting not only some of the plot elements of 7 Samurai, but also Kurosawa's classically-influenced style, which Miike updates technically for the video-game generation. We see the immaculately choreographed war councils in classically elegant rooms, but Kurosawa's grainy black and white photography is replaced by lush colour tones. This is indeed beautiful and the technical performance of most of the main actors is more than adequate to the high demands of the setting.

Though 13 Assassins is impressive in parts, they do not make a satisfying whole. It lacks tonal structure and progression. It is messy and excessive at times. Much attention has been paid to detail, but not enough to the overall structure. More importantly, it lacks the underlying presence of the master's hand and eye which dignifies Kurosawa's films and makes them very much more than beautiful, carefully constructed stories. Clearly, one does not expect from Miike a straight reconstruction of Kurosawa's philosophy. However, with such abundance of quotation, I think one is entitled to expect more than this rather empty and often scrappy technical performance. The picture does, in places, feel like an unspoken homage to Kurosawa, though it's certainly its own distinct creation. But I wonder if it more closely resembles another end-of-an-era picture, Sam Peckinpah's "The Wild Bunch."
It was confirmed during interview with the director that the bandit represents a yokai or forest spirit and therefore is immortal. "Mina koroshi" which translates as "all murdered". While half of the scenes probably were only cut out to make the movie a little shorter, there are also other cuts which were probably made for a different reason. In principle, the movie tries to be realistic and serious, however, those viewers who have some knowledge about Japanese mythology will find hints at a supernatural element. Koyata—the hunter who was freed by the samurai from the trap in the forest—has several quirks which hint at the fact that he might be a demon and not a human being. Many of these scenes were cut out of the international version; not all of them, but enough of them so that the audience does not get too confused. Not only does the Japanese version give a better insight to Naritsugu, but it also gets clear that the samurai do not only destroy the village by assaulting Naritsugu, but they really seem to suffer for it.

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