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The Taking Of Pelham 123 Song Free Download

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Original Title: The Taking Of Pelham 123

Genge: Action,Crime,Thriller

Armed men hijack a New York City subway train, holding the passengers hostage in return for a ransom, and turning an ordinary day's work for dispatcher Walter Garber into a face-off with the mastermind behind the crime.
In New York, four criminals led by the smart Ryder hijack the subway train Pelham 123, stopping the first car with nineteen hostages in a higher plane in the tunnel in Manhattan. Ryder calls the subway control center and the operator Walter Garber talks to him. The abductor demands ten million dollar and gives one hour to the delivery by the City Hall. The Mayor accepts to pay the ransom while the NYPD negotiator Camonetti assumes the negotiation. However Ryder demands that Garber, who was demoted from an executive position due to the accusation of accepting kickback in the purchase business of Japanese trains, continues to be his liaison with the authorities. Within the tense hour, Ryder empathizes with Garber and asks him to bring the money to the train.
Replete with the usual bravado and profanity-laced dialog and violence, " The Taking of Pelham 123" has little interesting or new to add to the hostage movie genre save for a display of the inner workings of the NY Subway system. Indeed, having big-name actors cannot singularly hold up a bad script and that's the problem. Director Scott throws in ADD type cuts between scenes, and employs awful generic music. We have Travolta with a stamped goony looking tattoo to somehow validate his thugginess. And Denzel Washington has pretty much mailed in his role here. He's taking it to the bank. Dialog meanders and features a lot of meaningless details. This movie is a gobble gobble turkey - made for the masses meant to herd the viewers who shun thinking.
I like my thrillers where the villain is really evil, and the good guy is determined to save the day. That's hardly the case here. John Travolta's character isn't evil enough for the movie to work or pay off. And poor Denzel Washington spends most of the time sitting on his butt trying to talk this guy out of doing what he's doing (I know it takes place at the train station, but some action there wouldn't have been a bad idea. The ultimatum is ideal: Kill hostages unless money is delivered. But, this isn't so much a villain as a merely angry guy going through a crisis. And worst of all, there's no suspense. Nobody is really at stake, because the Travolta doesn't do anything stupid other than make threats (unless you count the guy who urinates out of the train door). And the movie ends with a pointless chase sequence.

**1/2 out of **** There's not much wrong with Tony Scott's The Taking of Pelham 1 2 3, except that there's not much really right about it.
Four armed men—Bashkim (Victor Gojcaj), Emri (Robert Vataj), Phil Ramos (Luis Guzmán), and their leader, Bernard Ryder (John Travolta)—hijack the lead car of a subway train in Manhattan. Ryder contacts MTA dispatcher Walter Garber (Denzel Washington) in the Rail Control Center (RCC) and demands $10 million in ransom to be delivered in one hour or they will start shooting the 19 hostages, one for each minute the money is late. The Taking of Pelham 123 is based on the 1973 novel The Taking of Pelham One Two Three by American author Morton Freedgood, writing under the pen name of John Godey. The novel was adapted for this movie by American screenwriters Brian Helgeland and David Koepp. An earlier adaptation of the novel, The Taking of Pelham One Two Three (1974), was released in 1974. A TV remake, The Taking of Pelham One Two Three (1998), was released in 1998. Pelham refers to a local Manhattan train that departs from Pelham Bay Park. The "123" refers to the time that it leaves 1:23. The "taking" refers to a hijacking. After Garber delivers the money, the hijackers start up the train, having found a way to circumvent the dead man feature. They get off the train at the Roosevelt spur, a derelict tunnel built under the Waldorf-Astoria Hotel. The train continues forward, picking up speed until the passengers become alarmed and the authorities at the MTV conclude that no one is driving the train anymore. Fortunately, the train trips a red light and stops. MTV orders all patrol cars to converge at the Roosevelt spur, where they open fire on Bashkim and Emri. Garber follows Ryder, who has hailed a taxi in which he checks his laptop to find that he has successfully shortsold the market and invested in gold, earning a huge profit. Ryder hijacks a truck and follows Ryder's cab to the Manhattan Bridge where Ryder has exited his stalled cab. Garber catches up to him on the pedestrian walkway and confronts him with a gun. Ryder demands that Garber kill him before the police do and gives him 10 seconds to shoot. At the end of the 10 seconds, Ryder reaches for his gun, and Garber shoots him. "You're my goddamn hero," Ryder says as he sinks to the ground. Later, while on his way home, Garber is stopped by the mayor (James Gandolfini) who thanks him, informs him that the city will go to bat for him in the bribery investigation, and offers him a ride home in his car. Garber takes the train instead. In the final scene, he arrives home, a half-gallon of milk in his hand. The first drafts of the script faced the challenge of updating the novel with contemporary technology, including cellphones, GPS, laptops, thermal imaging, and a post-9/11 world in New York City. In December 2007, David Koepp, who adapted the novel for Scott and Washington said: I wrote many drafts to try and put it in the present day and keep all the great execution that was there from the first one. It's thirty years later so you have to take certain things into account. Hopefully we came up with a clever way to move it to the present. Koepp's drafts were meant to be "essentially familiar" to those who read the novel, preserving the "great hero vs. villain thing" of the original. Brian Helgeland, the only one receiving credit for the screenplay, took the script in a different direction, making the remake more like the 1974 film than the novel and, as Helgeland put it, making it about "two guys who weren't necessarily all that different from each other." Whereas the novel is told from more than 30 perspectives, keeping readers off balance because it is unknown which characters the writer might suddenly discard, the two films focus on the lead hijacker and the Metropolitan Transportation Authority employee with whom he communicates by phone. The new version sharpens that focus until it's almost exclusively a duel between disgraced MTA dispatcher Walter Garber and manic gunman Ryder.

In the book and original film, Ryder is "cold-blooded and calculating", but in the 2009 film he is a "loose cannon willing to kill innocents, not out of necessity, but out of spite." Also Ryder, in the original film and book, is portrayed as a normal looking businessman, while in the 2009 film he looks like he has adopted prison life, wearing very visible prison related tattoos and very laid back modern style of a biker. In the 1974 film, the main character is named Zachary Garber and is a lieutenant in the Transit Authority police; in the 2009 film, the main character is named Walter Garber and works as a subway train dispatcher. Ryder asks for $10 million dollars instead of the $1 million as in the original film and book and $5 million in the made-for TV movie. Ryder does not use the "Mr. Blue" nickname as the original film does; it is implied that Ryder is a nickname.

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